Wednesday 23 November 2011

How to get a hotel room upgrade.

Top Ways To Get a Hotel Room Upgrade


One of the biggest hotel aggravations is knowing that while you're crammed into a closet, luxury suites sit empty. Here are a few tips for getting luxurious upgrades.

  1. Book direct
    When you book your hotel rooms directly you do the hotel a favor by saving them distribution or commission cost. They often return the favor in terms of upgrades. Hotel companies like Hilton, Starwood, Marriott, Radisson and others offer a "best rate" guarantees. So, by booking direct you can get a great deal.
  2. Build your loyalty
    By dealing directly with the hotel you build loyalty. That's important because loyalty can pay off in upgrades. Loyalty can be easily leveraged. If you're in a lobby full of convention attendees who are only in the area for a long weekend, and not likely to return, stress your loyalty to the person helping you. Tell them that you love the hotel and you'd like to come back. You'll be the perfect choice for an upgrade.
  3. Time your arrival
    Most hotel guests check out between 12 and 2pm. Business travelers tend to check-in around 5pm and after. Time your check in between 3 and 5pm so the good rooms are still available. If you can’t make it between these times call the hotel and inquire about your room type. Usually you can get the hotel to block a nice room before your arrival.
  4. Think competitively
    Call reservations managers at two competing hotels; explain that you’re trying to decide which hotel will offer better value and let a bidding war ensued. This can reap inexpensive rooms and a nice upgrade.
  5. Get on the list
    Call ahead and ask the hotel’s manager to place a note in the computer, a request for an upgrade. Requests with the boss's name get results.
  6. Write for results
    Tell the desk agent, you would be happy to write a note to management about how helpful they are. Hotel staff members love letters because it becomes a part of their permanent personnel record helping them get raises and promotions.
  7. Tip Wisely
    Getting escorted to your room by a bell person? Offer them a $20 tip to help you score a nicer room.

http://travelerstales.com/carpet/002274.shtml

It's a fact, complimentary upgrades to a better standard of accommodation do happen, but hotels can be pretty choosy about who they decide to upgrade. Being a celebrity or prominent figure often helps, but us mere mortals have to work at it to get that sought after upgrade.

So how do you go about upgrading your hotel room? Here's our guide to the best techniques for getting a room upgrade, hopefully at no extra cost to you.
Hotel reception bell

Arrive late
The logic with checking in as late as possible (provided you have a reservation already) is that if there are nicer rooms available, the hotel will have been hanging onto them in the hope of selling them. If you arrive later (around 7-8pm), the hotel may be more willing to relinquish these rooms because it's becoming clear that these are likely to remain vacant for the night. Make sure you advise the hotel in advance that you are running late, so that they do not cancel your reservation.

Arrive early
This might sound crazy after what we've just said, but getting this upgrade business right isn't an exact science. By early, we mean arrive at the hotel mid-afternoon (around 3pm) and you may secure a better room. This is because around this time, many of the previous night's guests will have checked out, while the majority of the next lot of visitors will not have arrived yet. This means the person on reception may be less hurried and have more time to accommodate your request for that south-facing room with en-suite.

Mind your manners
It might seem like stating the obvious, but being polite can go a long way. Hotel reception staff have to put up with some unbelievably ill-mannered customers at times, so you can stand out like a beacon of politeness in a sea of crazy customers full of their own self-importance. Just remember not to overdo it so that you come across as over-friendly or insincere. One option is to time your request for when the receptionist has just dealt with someone rude, that way your good manners will stand out even more. Genius.

Provide a reason why you 'deserve' an upgrade
Think up some good reasons why you deserve it. Tell them you're here to celebrate a special occasion such as an anniversary or birthday, or even that you visited the same place decades before. Alternatively, lie through your teeth and tell them what a nightmare journey you've had or some other sob story - they may just take pity on you and give you what you think you 'deserve'.

Drop a hint that you intend coming every year
Also mention that you are thinking of making your visit a yearly tradition and perhaps this time is your first stay at the hotel. Repeat guests make up the bulk of visitors to hotels, so they'll want you to come back time and again, so what better way of doing that than making your stay more memorable by providing you with that chandeliered room on the top floor.

Be known
If you are frequent traveller and stay at the same hotel regularly, make sure that everyone knows that fact. Make yourself known to everyone from the bellboy upwards, but most importantly to the staff who are booking you in each time. It's likely that if you get an upgrade on one occasion, the front desk staff will provide you with the same swanky room on each subsequent visit.

Be prepared to haggle
You don't have to go to the extremes of haggling as if in a Monty Python sketch, but if you are offered the room with a balcony and great views for a little more than you paid for your standard room, then you could potentially haggle down the price of the upgrade. Alternatively, if you politely turn down the upgrade and tell them you are on a budget and have to stick with the standard room, they may take pity and let you have it anyway.

Join the hotel loyalty scheme
Many of the major hotel chains have loyalty schemes that reward you for multiple visits. Often these are free and give you access to loads of extra benefits, often including free room upgrades. Even if you don't use their hotel chain frequently or don't intend using them again, they won't know that, and just flashing that loyalty card can be enough to get those ever helpful staff to give you a better room.

Ask discreetly
When you do ask for an upgrade, do so in a way that won't draw attention in any way. There's little chance of the hotel staff giving you an upgrade if everyone else in earshot is going to try the same ploy. Look for an opportunity when there are very few people around and the staff are far from harassed, and your chances of success will be increased.

Dress smart
Why does it matter what you are wearing you might ask? But how you appear can make a big difference to your chances of success, especially if you are staying in a plush hotel. We're not saying you need to check in wearing your best suit, but don't check in wearing your scruffs either. It's a fact that some hotels can be quite snobby about the whole thing, and they are not going to want you to be rubbing shoulders with their posh customers when you look like someone whose last hotel was a cardboard box under the subway.

Complain
We're not in the business of encouraging you to give hotel staff a hard time, but if you check in and find your room is not how you expected it to be, then complain. Let them know exactly why the room doesn't meet your expectations and enquire if they have anything better. You can complain about anything - the view, noise, even the décor - but if the room does not meet your expectation, then it is reasonable to request an upgrade free of charge. If you offer to pay for an upgrade, it's possible you may get it free of charge anyway. Just remember to ask nicely.

Avoid going through an online booking agent
It's fact that if you have booked through an online websites like Expedia or Lastminute.com, your chances of an upgrade will be minimised. Hotels generally sell to these agents for a fraction of the price, who then bump up the price to you. In effect, the hotel will already feel they have made a 'loss' by selling this place cheaply to the agent, so they are hardly going to want to upgrade you for free when you have, in their eyes, already 'cost them money'. If you like to book online, most of the major hotel chains have their own online booking facility, so book through that instead.

Clearly, bagging that upgrade can often be a hit and miss affair. It can depend on whether the hotel member of staff is having a good or bad day, whether you get your timing right, how busy the hotel is, or even whether they like the look of you.

There are so many variables, so what works in one place may not work in another. Upgrades are available, provided you ask the right person who actually has the power to grant an upgrade. However, there are times when upgrades are simply not available, but there's no harm in trying. If you don't ask, you don't get. Enjoy your upgraded stays or at least have fun trying. 

http://uk.travel.yahoo.com/p-promo-2948277 


I asked around a couple of my friends to see how they would go about getting a hotel room upgrade:

Friend 1:  Carry out sexual favours to the receptionist.
Friend 2:  Complain about the room allocated to them regardless as to whether it was fine or not until they receptionist has had enough and gives in.
Friend 3:  Complain about room allocated and lie that it was not what you were promised you would get online/over the phone.
Friend 4:  Flirt with the receptionist, flutter eyelids, play with hair etc.
 

Monday 21 November 2011

Task 5 - Initial Bibliography

Choosing a particular period from 1800 to the present, in what ways has art or design responded to the changing social and cultural forces of that period? (2 specific examples)

I'm choosing to write my essay on the Russian revolution, below are some books that should help me throughout my essay:

  • Russian Graphic Design.  1880 - 1917/ Michael Anikst, Elena Chernevich (1990) Blenheim Walk Library
  • Stenberg Brothers: constructing a revolution in Soviet Design./Ross, Barbara (ed) 1997 Blenheim Walk Library 709.47
  • Art in Revolution:  Soviet Art and Design since 1917/ Arts Council (1971) Blenheim Walk Library 709.47
  • Alexander Rodchenko: revolution in Photography,/ Petrova, Anna (ed.) & Connellan, Lise (ed.) (2008) Blenheim Walk Library 779ROD

Examples of Constructivist Design:


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Background Information:



Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1919, which was a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century, influencing major trends such as Bauhaus and the De Stijl movement. Its influence was pervasive, with major impacts upon architecture, graphic and industrial design, theatre, film, dance, fashion and to some extent music.

The term Construction Art was first used as a derisive term by Kazimir Malevich to describe the work of Alexander Rodchenko in 1917.[citation needed] Constructivism first appears as a positive term in Naum Gabo's Realistic Manifesto of 1920. Alexei Gan used the word as the title of his book Constructivism, which was printed in 1922.[1] Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'corner-counter reliefs' of Vladimir Tatlin, which had been exhibited in 1915. The term itself would be invented by the sculptors Antoine Pevsner and Naum Gabo, who developed an industrial, angular style of work, while its geometric abstraction owed something to theSuprematism of Kasimir Malevich. IZO, the Commissariat's artistic bureau, was managed during the Russian Civil War mainly by Futurists, who published the journal Art of the Commune. Constructivism in Moscow was represented byVKhUTEMAS, the school for art and design established in 1919. Gabo later stated that teaching at the school emphasized political and ideological discussion rather than art-making. Despite this, Gabo himself designed a radio transmitter in 1920 (and would submit a design to the Palace of the Soviets competition in 1930).

Constructivism as theory and practice was derived largely from a series of debates at INKhUK (Institute of Artistic Culture) in Moscow, from 1920–22. After deposing its first chairman, Wassily Kandinsky, for his 'mysticism', The First Working Group of Constructivists (including Liubov PopovaAlexander VesninRodchenkoVarvara Stepanova, and the theorists Alexei GanBoris Arvatov and Osip Brik) would develop a definition of Constructivism as the combination of faktura: the particular material properties of an object, and tektonika, its spatial presence. Initially the Constructivists worked on three-dimensional constructions as a means of participating in industry: the OBMOKhU (Society of Young Artists) exhibition showed these three dimensional compositions, by Rodchenko, Stepanova, Karl Ioganson and the Stenberg Brothers. Later the definition would be extended to designs for two-dimensional works such as books or posters, with montage and factography becoming important concepts.

Vkhutemas was an art and design institute formed in moscow in 1920, post WW1.  The workshops were established by a decree from Vladimir Lenin[1] with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education."  www.wikipedia.com


Rodchenko



Alexander Rodchenko transformed photography by his obsession with strange angles, says Benjamin Secher
'I want to take some quite incredible photographs that have never been taken before… pictures which are simple and complex at the same time, which will amaze and overwhelm people," wrote Alexander Rodchenko in his diary on March 14, 1934. "I must achieve this so that photography can begin to be considered a form of art."
These are bold words coming from a man who had picked up a camera for the first time only 10 years earlier, aged 33, and would all but give up photography just six years later. A tightly focused new exhibition of Rodchenko's photographs at the Hayward Gallery in London shows how - during that brief, passionate, turbulent period - the artist fell not only in and out of love with the medium, but also disastrously in and out of favour with the Soviet state.
The exhibition, supported by Chelsea FC owner Roman Abramovich, begins with Rodchenko's photomontages of 1923, those sparky hodgepodges of photography, text and graphics that inspired Franz Ferdinand's recent record covers. "At that time in Rodchenko's career, the Soviet powers and the Russian avant garde, they danced together," says the exhibition's curator, Olga Sviblova. "Both believed absolutely that they were working to change reality for the better, and that that change would arrive tomorrow. It was a big delusion, but they believed in it all the same."
In a country where 70 per cent of the population couldn't read or write, photography was a powerful medium - Lenin himself had suggested during the civil war that each of his soldiers should carry not just a weapon but a camera, too - and by 1924, having worked primarily with paint for years, Rodchenko felt ready to take it on. "It would seem," he said later, "that only the camera is capable of reflecting contemporary life." His first efforts, a handful of which feature in the exhibition, were poorly printed and unremarkable: a little wooden house in the countryside; casual portraits of his friends, all taken at eye level from a respectable distance.
The Bolsheviks, originally also[1] Bolshevists[2] (Russianбольшевики, большевик (singular) Russian pronunciation: [bəlʲʂᵻˈvʲik], derived from bol'shinstvo, "majority") were a faction of the Marxist Russian Social Democratic Labour Party (RSDLP) which split apart from the Menshevik faction[3] at the Second Party Congress in 1903. [4]
The Bolsheviks were the majority faction in a crucial vote, hence their name. They ultimately became the Communist Party of the Soviet Union.[5] The Bolsheviks came to power in Russia during the October Revolution phase of theRussian Revolution of 1917, and founded the Russian Soviet Federative Socialist Republic which would later in 1922 become the chief constituent of the Soviet Union.
The Bolsheviks, founded by Vladimir Lenin, were by 1905 a mass organization consisting primarily of workers under a democratic internal hierarchy governed by the principle of democratic centralism, who considered themselves the leaders of the revolutionary working class of Russia. Their beliefs and practices were often referred to as Bolshevism. Bolshevik revolutionary leader Leon Trotsky commonly used the terms "Bolshevism" and "Bolshevist" after his exile from the Soviet Union to differentiate between what he saw as true Leninism and the regime within the state and the party which arose under Stalin.



Sunday 13 November 2011

Aesthetics Workshop

The aesthetics workshop with Jo was to help our understanding of what 'aesthetics' actually means.  Originally I thought it was just the way something looks but we learned that aesthetics can be the way something smells, tastes, feels and sounds, not just the visual sense.

5 Things that I find aesthetically pleasing:
  • The sound of the bass when you leave a club after an amazing gig/night out.
  • The crunching of snow underneath your wellies.
  • When you peel plastic back from a brand new screen.
  • When you put ice cubes in a drink and they crackle.
  • The feel of silk scarves.
5 experiences I aim to undertake before September 2012 (to enhance my aesthetic experiences):
  • Go paragliding.
  • Get a few more piercings and perhaps a tattoo.
  • Finally go on the pepsi max at blackpool pleasure beach.
  • Dive into a pool from the highest diving board.
  • Go on an adventure, go white water rafting :)


Thursday 10 November 2011

5 Images I find aesthetically pleasing..

Buttface, 2005
Miscellaneous drawing, type by Andy Rementer,
Drawing by AJ Purder
Pen and Marker

Below are some images which my partner, Sam, found for me in the library.  The task was to find 3 aesthetically pleasing images for me inspired by my list of criteria:
  • Quirky
  • Illustrative
  • Nostalgic
  • Feminine
  • Silly
Kultur Toilette by Albert Bertolin.
A small book of funny and slightly crude illustrations which I thought was great.

The illustration below is 'How long have I been dead' by Andrew James Jones, also a brilliant find.

Tuesday 8 November 2011

Jo's Crit Workshop

5 Good Questions to ask in a crit:

  • Why did you use this message?
  • Why used these illustrations to illustrate quote?
  • Hnad-made or computer generated?
  • Do you think the media suits the message?
  • What do you think it could be used for?

Lecture 2 Post Modern Lecture Notes.




Handout:

What is Postmodernism?

J-F Lyotard: ‘The Postmodern Condition’ 1979 (Trans. Manchester 1984)

‘incredulity towards metanarratives’ p.xxiii

·      Fragmentation, loss of belief, confusion regarding legitimation – especially criteria of judgement.

QUOTE 1
Robert Venturi: ‘Complexity and Contradiction in Modern Architecture’ 1962 (published 1966)

‘I like elements which are hybrid rather than ‘pure’, compromising rather than ‘clean’, distorted rather than ‘straight-forward’, ambiguous rather than ‘articulated’, perverse as well as impersonal…’

from Jencks, C & Kropf, K (1997 Ed) Theories and Manifestoes of Contemporary architecture, Chichester UK

·       1972 Learning from Las Vegas: Robert Venturi, Denise Scott-Brown & Steven Izenour

·       In 1977 book ‘The language of Post-Modern Architecture’ Charles Jencks ironically states that ‘Modern Architecture died in St. Louis, Missouri on July 15, 1972 at 3.32pm’ when the Pruit-Igoe housing development was blown up.

QUOTE 2
‘Generally post-modern artists like to mix the highbrow and the populist, the alienating and the accessible, and to ‘sample’ elements from different styles and eras….

..now you can reinvent yourself endlessly, gaily pick ‘n’ mixing your way through the gaudy fragmnets of a shattered culture’.

Simon Reynolds – The Guardian 1990

QUOTE 3  Lyotard (1982)

1)    ‘This is a period of slackening – I refer to the colour of the times.  From every direction we are being urged to put an end to experimentation, in the arts and elsewhere.’

2)    ‘…..I have read that under the name of Postmodernism, architects are getting rid of the Bauhaus project, throwing out the baby of experimentation with the bathwater of functionalism.’

Lyotard, J-F (1984) What is Postmodernism? Appendix to English translation of  ‘The postmodern Condition’, Manchester. pp 71-82 Reprinted in Harrison & Wood (1992) (eds) op cit. pp 1008 – 1015

Artists / Designers mentioned
Robert Rauschenberg / Robert Venturi / Frank Gehry & Claus Oldenberg / Andy Warhol
Ettore Sottsass and Memphis – Masanori Umeda, / Ron Arad / David Carson / Peter Blake / Roy Lichtenstein / Adbusters / Jenny Holzer.

Further Reading
Heartney, E, Postmodernism, Tate;    Appagnanesi,R, Introducing Postmodernism , Icon
Conor, S, Postmodern Culture, Blackwells;    Woods,T, Beginning Postmodernism, Manchester;  Foster,H (ed) Postmodern Culture (for theory)…plus many others in section 306 


Modernism compared with Post Modernism

 Modern Art - Elephantruski


I chose this as an example for Modern Art because it shows certain characteristics of the period.  The layout is scattered and disregards old-fashioned structured texts.  New methods have also been used here as before everything was done oil on canvas.
Post Modern Art - Marcel Duchamp, Fountain


In hindsight this is not Post Modern Graphic Design, however I thought it showed aspects of Post Modernism.  It uses industrial materials and isn't exactly serious.  

































 Classic Examples Of Post Modern Graphic Design by Jamie Reid which use collage and bright colours, also these pieces are quite controversial as they contain swear words.  Also the queens portrait has been defaced which is considered treason.  The poster and album cover are also quite eccentric.







Monday 7 November 2011

Colour Theory


The colour wheel:  each of us brought in one of each of the 6 colours and worked separately in small groups to create the spread below.


An example of Pantone:



6 favourite Pantone Colours from 
the swatches in the office:

Red - 7418U / Solid Uncoated
Orange - 1225U / Solid Uncoated
Yellow - 110M / Solid Matte
Green - 5797 / Solid Matte
Blue - 307U / Solid Uncoated
Violet - Pantone Violet U / 2685 U Solid Uncoated.


These are my 6 favourite that I could find on illustrator: